My light bulb moment came when I sought out the counsel of a respected art business consultant to focus my efforts in building my budding art career. One of the first lessons I learned was that I had too much "stuff" just flung out on my website, in too many different styles, and not connected by a "story" of any kind. A rookie mistake! In trying to present something for everyone and show my versatility, I was failing to truly be anything. Back to the milk connection, nothing in my presentation of my art was smooth or consistent. Given this, I was challenged to determine just what it is that I am since I cannot be everything to everyone. Who is Vivian Mora as an artist? What do I want to define me and represent me in the art world? This is the step where high temperatures, agitation, and eventually filtration occurs. Those first two processes are also known in humans as stress.
What am I willing to give up to ensure that my presentation of art, essentially, my body of work, is smooth and consistent?
Filtration meant passing my art through a strainer to determine what genres or styles would be left behind or extracted and what would emerge as the work I want to speak for me as an artist going forward, the pure work. Of course, there's nothing that prohibits me from creating art for my own edification in many different styles but if I want to establish myself publicly as an artist, my public presentation would need to be homogenous. Why? Alan Bamberger, the art business consultant I sought out, phrased it as people want to be able to "peg" you as an artist. They want to understand you and what you represent. I should have gleaned this from my understanding of sociology which was my major in grad school (forgive me, Dr. Long). People simply like to know what to expect. They want to know the story of my art and how it is connected. I took this advice out for a "road test" this past weekend. I participated in an art fair. I displayed only the work I am continuing. Each piece was part of one of two series that I decided would represent my current work and help define my future work. Now, I'm not a wallflower and generally contribute my fair share to a conversation. However, for some reason, I had often found myself at a loss in talking about my work with potential buyers and the public in general. At the art fair, it became easy for me to talk about my work because suddenly my work made sense! It was all connected and fit together perfectly.
This cohesive collection of work also apparently makes it easier for buyers or collectors to follow my work. Once my style was filtered and the "purified" works identified as a complete body "resistent to separation", an art buyer knows what he or she is going to get if they buy a Vivian Mora art piece today or 10 years from now. They seem to like that and I think I do, too.
Come visit again for the next installment in making art-sense!
Vivian Leflore Mora
Fine Art & Illustration
VivianMoraArt.com (fine art)